Відео

how did you deconstruct this? this sounds too meticulous for AI alone

who has the Red Guiter

The Who, tremendísimo grupo, mi favorito desde que papá me hizo escucharlos (a los 5 años en 1998)! Keith, Roger, Pete, John, icónicos y tan llenos de vida en aquellos años, cada uno con una personalidad distinta que los definían e irónicamente hacían el grupo perfecto porque en el escenario esas distintas personalidades se fusionaban en uno solo y hacían un BOOM! Tanto mi padre como yo amamos el arte, la fuerza, esa energía descontrolada que hizo de este grupo una leyenda viva de la historia del rock. Una leyenda tocando en un legendario concierto como lo fue el Woodstock 69. Sus temas mas grandiosos para mi: See me, feel me (icónico), Behind blue eyes, My generation, Picture of Lily, Baba O' Riley,Pimball wizard. Saludos desde Perú y larga vida al rock caraj0!

Rock stars, every one.

Bom p c

Bom de mais pqp

One of my favorites. Thank you..

The tuning seems to be a bit off. Zal's guitar? It might be the bass... But, cool though!

Now I want o see the whole thing. Where can I find it?

@rn-110 va dormir 1 heure pingouin ha ha ha 😂( Guy platteau Marseille France)

Yessssssssss!

This show was a make up show for a show they started on May 9 1976. Unfortunately Keith’s umm over indulgence in some sort of ummm medicine let to it being aborted after only a couple of tunes. I had tickets for the next night at MSG in NYC and it was pushed back a day to give Keith a chance to get his shit together. Which he fortunately did in spades and they played one of the greatest shows Ive ever seen anybody do. Keith owed Boston a good show and they got it.

Roger McGuinn said the song is about the Byrds flight to England from America - what it felt like landing in London. Gene Clark was not a part of the Byrds then, nor on this recording, as he had a terrible fear of flying and left the band.

Still my favorite Byrds song.

I hate pop music too, and think most trash.... but I am working class pleb, from the outback, who grew up on Rock, and Country.... and because my old man was born 6 months before World War ONE ended.... a steady diet of Rag, Swing, and Jazz, and little bit of Blues ... though also, sadly, some pop ... because my dad found sitting me down and putting music on the big flash stereo, with full.. for the time... studio level headphones, kept my quiet for an hour or two (my father was an audiophile, who built his own stereo, even as a plumber back when tradies did not make bank like today, pouring all his spare cash in to expensive stduio quality Japanese decks, amps, even Reel to Reel stereo 8 track recorder.. which was pretty cutting edge in the late 60s when he built the set). I loved the Chuck Berry, and the Little Richard.... before my time I was born in 77, but gripped me.... making me fall in love with late 70s, and 80s rock, I was as into hair bands as a 10 year old, as teens were.... I loved the Glen Miller, and Scot Joplin too... I loved the Slim Dusty, and Johnny Cash, and especially the Chad Morgan. Was not a huge fan Jolson.... my old man's most beloved of all ever, who'd fan boi over even as a man in his 70s, every time he came up.... nor my fathers SECOND favourite band... that did not even FORM until he was in his 50s....ABBA (eww :P ).... ....so I came to see Pop music as detracting from the Glory of the Guitar Heroes I LOVED, reminding of stuff I was made to listen to, when I really wanted something else, as kid, because of my father's lazy parenting. But this? This is just elitist, classist, BS. WTF is HE to label pop trash? Or ANY music. This is the kind of elitist and exclusionary attitude which makes Classical music so unreachable, and unwanted and unloved, by so many people. He and his music, and the artificial, contrived 'theory'.... of it, are NO MORE VALID and legitimate than the busker warbling whisky fueled blues without an sense of tone, whilst molesting a diddleybow's lone string. But sadly, general speaking, this hubris among the kind of people who are in the Classical scene, is all too real and alive still today... he speaks for this generation too, tragically. If I was the Beatles, I would be ASHAMED to be on the radar of snob like this.

How special to be at Woodstock ! Hot band , singers , musicians , and men !! A new sound for sure !

Awesome job! Thanks so much. This is the first time since 1967 that we can hear, with clarity, all the different parts! There was one version with an organ. It was prominently put after the third verse. But, McGuinn decided to get rid of it and do his classic 12-string Rickenbacker lead!!!

Good choice! The highlight is hearing the trio choruses in isolation. I guess the bass was doubled for thickness, with Hillman being more than lenient about duplicating himself. Thanks.

Sorry, the added percussion (sounds like wooden blocks) bleeds into most of the other stems. I also have no idea who played the Hammond organ part; every Byrds book I have does not mention there being an organ on Younger Than Yesterday, yet there it is.

Wasn't the Wrecking Crew on a lot of this?

More Byrds and Spoonful, please!! My Back Pages!

great! I loved the Spoonful!!!

Awesome!! Thank you so much!!

Greatest live band!

Was lucky enough to see them at the Yale Bowl in New Haven, CT circa Summer of 1968, when I was circa 14, some 57 years ago, recall I really enjoyed them.

Always lived the real The Who, but Quadrophenia occupies a singular, almost physical presence in my long lifetime of listening. IIRC I was about 13 or 14 when it was released. It’s been 50+ years and I still have a detailed, tactile response to it. The album packaging was brilliant as well, but it was like pictures of something and people I already knew, vividly from listening on FM on a clock radio, late, late into the night. Really enjoy the demos, you get Townsend's absolute commitment and insistence on his will and vision. Some listeners prefer raw, lean a d stripped down recordings to studio produced effects. But I loved the ambition and atmospherics layered over Quadrophenia, like few other albums (R.E.M.'s Reckoning, some of Al Green's stuff). These demos make me want to go back to the studio release, in a way that deepens my appreciation for Townsend's defiant and vulnerable genius, but also what Moon, Daltrey and Entwhistle brought. Townsend's singing always worked best as a painfully poignant counterpoint to Daltrey's power.

Awesome!! Can you do this for "Eight Miles High" and "My Back Pages?"

He picked Eleanor Rigby, A Day in the Life and She's leaving home as the best songs of the 20th century.

Way too sped up, especially My Wife.

This was the make-up show for the previous November(?) show where Keith passed out 2 songs into the show and was ended. I thank my lucky stars I held tightly to ticket stubs to be here. This is the show all others the last 46 years of my life have been judged against. STILL none better!

Some of these tunes were almost ready, like Had Enough (My God, what a great song). You could release this album as an ALT, with extras. It would sell a lot.

Not Bad at all Dear Boy❤

My God. How does Moonie hit the Gong and the drums simultaneously on Sparks?!?!?

When the Who were the greatest Rock and Roll band in the world ❤ John and Keith filling all the holes in townshends guitar parts, Roger with the finest vocals, Brilliant 👏

Rough & raw version of My Generation sounding like a full-blown thunderstorm.

If audience would quit talking over the fucking music. Go to a fucking bar.

I was too young to see this version of The Who but the show I saw with them in 1980 with Kenney was every bit as good.

💓🖤

My first concert The Who JFK Philadelphia 1982🇬🇧🇬🇧🇬🇧

The tapes going to fast!

I lke

It's always fascinated me that Crosby continues to play the main A riff through the end of the song - i.e., on the three repeats of "ah, when you're gone" and behind the lead part on its coda. Yet the chord structure behind this implies A to G. Here, you can hear that McGuinn does do the A to G bits behind the three repeats, and of course Hillman is doing the same on the bass. That's strong enough to establish that this is what's really happening, and what Crosby is doing somehow meshes with it. Breaking out the vocals also shows that the harmonies on the chorus are anything but standard. Sometimes McGuinn and Crosby sing the same note, but other times it breaks into three harmony parts instead of two. Almost no one who covers this song bothers to do the harmonies this way - and that includes Byrd members themselves. McGuinn-Clark-Hillman would do this in concert, and they lazily sang the standard three-part, with one harmony above the melody and another below it. Didn't sound right at all. I've done this song in bands for decades, and believe me, you have to really work at this to get it right. But when you do, it's very rewarding!

This is so amazing. As a Spoonful fan this is gold....

No matter how many times I watch this, I can not figure out how he's strumminging to make that unique sound.

Fucking yeah, this sounds amazing, thanks

God bless, Keith

According to the fantastic biography Dear boy this record is a catastrophe with “sloppy playing”. I don’t agree. I think the musicians are doing a great job. It swings. But what I think is the main reason to the harsh critic at the time is that you weren’t supposed to “sing” like Keith to that sort of genre of music in those days. With todays standards you’d say that he’s half talking half rapping through the songs. About five years later Ian Dury got away with about the same “singing-talking” style but with a much more modern sound. So Keith chose wrongly. He chose old fashioned music and tried to approach it with a new, non-singer style. He should have tried to make something completely new. And we also have Johnny Rotten as a bench mark. If Keith had survived the punk era I think he could have transformed into a punk legend. He was before his time in many ways.

Tommyrot

Amazing. Pete is a genius. Kieth Moon is why most people think Niel Peart is (was RIP) the greatest drummer ever.

!!!!!!!!!!!!!!!!!!!!!!!